My claim to fame in
the world of scholarship is an essay I wrote a few years ago titled “Coming Up
Empty: Exploring Narrative Omissions in Adventures
of Huckleberry Finn” which was included in Twain’s Omissions: Exploring the Gaps as Textual Context, a collection
of essays published in 2013 by Cambridge Scholars Publishing. Of course I wasn’t paid anything for my
contribution, nor was I even given a copy of the book; it retailed for $40 so I
didn’t buy it. It was enough to have my
essay published. More noteworthy,
however, is the fact that another scholar (Andrew Levy) referenced this essay
in the bibliography of his 2014 book Huck
Finn’s America: Mark Twain and the Era that Shaped His Masterpiece. Thank you Google for revealing this tidbit to
me. It feels good to be cited as a
source…
I put a lot of work
into that essay, although I’m not exactly a Twain scholar by any stretch of the
imagination. My interest in Huckleberry Finn came out of a class I
took in grad school on Twain, Howells and James for which I wrote an essay
titled “What Humor Hides in Huck Finn.” When I
wrote that essay, it had been years since I had done any literary criticism (as
an undergrad at Purchase College in the 1980s I majored in literature). I thoroughly enjoyed the process of
researching and writing that essay and felt compelled to look for additional opportunities
to do literary criticism. This
opportunity presented itself in the form of a call seeking papers by the Mark
Twain Circle for a panel at the SAMLA convention in 2012. When I read that “call for papers” (through
U-Penn), I knew I had to give it a shot and got to work drafting an
abstract. Ultimately, I was chosen to
present on the panel, and although I could not do so, my proposal was accepted
for inclusion in the book.
My interest in
literary criticism has remained strong, and I frequently consult https://call-for-papers.sas.upenn.edu to find another “call” to answer.
I recently came across one that caught my eye, inviting “contributions
that consider new interpretations or approaches to reading or teaching To Kill a Mockingbird.” When thinking about how I might approach this
topic, it occurred to me that a parallel might be drawn between Atticus Finch
and Huck Finn. If I can argue this
successfully, I will be able to demonstrate that while Harper Lee and Mark
Twain both put the spotlight on racism in their novels, neither was very
successful in making a case for equality.
In that way they were both rather tepid attempts to create real awareness,
let alone initiate change. A contemporary
review of To Kill a Mockingbird seems
to bear this out. The Chicago Tribune claimed that the novel “is in no way a sociological novel. It underlines no cause. It answers no
questions. It offers no solutions. It proposes no programs. It is simply an
excellent piece of storytelling.”

